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Understanding Loudspeaker Data



Fs This parameter is the free-air resonant frequency of a speaker. Simply stated, it is the point at which the weight of the moving parts of the speaker becomes balanced with the force of the speaker suspension when in motion. If you've ever seen a piece of string start humming uncontrollably in the wind, you have seen the effect of reaching a resonant frequency. It is important to know this information so that you can prevent your enclosure from "ringing" With a loudspeaker, the mass of the moving parts, and the stiffness of the suspension (surround and spider) are the key elements that affect the resonant frequency. As a general rule of thumb, a lower Fs indicates a woofer that would be better for low-frequency reproduction than a woofer with a higher Fs. This is not always the case though because other parameters affect the ultimate pertormance as well.

Re This is the DC resistance of the driver measured with an ohm meter and it is often referred to as the DCR2 This measurement will almost always be less than the driver's nominal impedance. Consumers sometimes get concerned that Re is less than the published impedance and fear that amplifiers will be overloaded. Due to the fact that the inductance of a speaker rises with a rise in frequency, it is unlikely that the amplifier will often see the DC resistance as its load

Le This is the voice coil inductance measured in millihenries (mH). The industry standard is to measure inductance at 1,000Hz. As frequencies get higher there will be a rise in impedance above Re. This is because the voice coil is acting as an inductor. Consequently, the impedance of a speaker is not a fixed resistance, but can be represented as a curve that changes as the input frequency changes. Maximum impedance (Zmax) occurs at Fs.

Q Parameters Qms, Qes and Ots are measurements related to the control of a transducers suspension when it reaches the resonant frequency (Fs). The suspension must prevent any lateral motion that might allow the voice coil and pole to touch (this would destroy the loudspeaker). The suspension must also act like a shock absorber. Qms is a measurement of the control coming from the speakers mechanical suspension system (the surround and spider). View these components like springs. Qes is a measurement of the control coming from the speakers electrical suspension system (the voice coil and magnet). Opposing forces from the IlecharliLdI and eleLtrical suspensions act to absorb shock. Qts is called the "Total Q" of the driver and is derived from an equation where Qes is multiplied by fims and the result is divided by the sum of the same. As a general guideline, Ots of 0.4 or below indicates a transducer well suited to a vented enclosure. Ots between 0.4 and 0.7 indicates suitability for a sealed enclosure. Qts of 0.7 or above indicates suitability for free-air or infinite baffle applications. However, there are exceptions! The Eminence Kilomax 18 has a Qts of 0.56. This suggests a sealed enclosure but in reality it works extremely well in a ported enclosure. Please consider all the parameters when selecting loudspeakers. If you are in any doubt, contact your Eminence representative for technical assistance.


Vas/Cms Vas represents the volume of air that when compressed to one cubic meter exerts the same force as the compliance (Cms) of the suspension in a particular speaker. Vas is one of the trickiest parameters to measure because air pressure changes relative to humidity and temperature - a precisely controlled lab environment is essential. Gins is measured in meters per Newton. Cms is the force exerted by the mechanical suspension of the speaker. It is simply a measurement of its stiffness. Considering stiffness (Cms), in conjunction with the 0 parameters gives rise to the kind of subjective decisions made by car manufacturers when tuning cars between comfort to carry the president and precision to go racing. Think of the peaks and troughs of audio signals like a road surface then consider that the ideal speaker suspension is like car suspension that can traverse the rockiest terrain with race-car precision and sensitivity at the speed of a fighter plane. It's quite a challenge because focusing on any one discipline tends to have a detrimental effect on the others.

Vd This parameter is the Peak Diaphragm Displacement Volume in other words the volume of air the cone will move. It is calculated by doubling Xmax (Voice Coil Overhang of the driver) then multiplying the result by Sd (Surface area of the cone). Vd is noted in cc. The highest Vd figure is desirable for a sub-bass transducer.

BL Expressed in Tesla meters, this is a measurement of the motor strength of a speaker. Think of this as how good a weightlifter the transducer is. A measured mass is uppUed to the cone forcing it back while the current required for the motor to force the mass back is measured. The formula is mass in grams divided by the current in amperes. A high BL figure indicates a very strong transducer that moves the cone with authority! Mms This parameter is the combination of the weight of the cone assembly plus the driver radiation mass load2 The weight of the cone assembly is easy: ifs just the sum of the weight of the cone assembly components. The driver radiation mass load is the confusing part. In simple terminology, it is the weight of the air (the amount calculated in Vd) that the cone will have to push. Rms This parameter represents the mechanical resistance of a driver's suspension losses. it is a measurement of the absorption qualities of the speaker suspension and is stated in N*sec/m.

EBP This measurement is calculated by dividing Fs by Qes. The EBP figure is used in many enclosure design formulas to determine if a speaker is more suitable for a closed or vented design. An EBP close to 100 usually indicates a speaker that is best suited for a vented enclosure. On the contrary, an EBP closer to 50 usually indicates a speaker best suited for a closed box design. This is merely a starting point. Many well-designed systems have violated this rule of thumb! (Its should also be considered.

Xmax/Xmech Short for Maximum Linear Excursion. Speaker output becomes non-linear when the voice coil begins to leave the magnetic gap. Although suspensions can create [lull-linearity in output, the point at which the number of turns in the gap (see BL) begins to decrease is when distortion starts to increase. Eminence has historically been very conservative with this measurement and indicated unly the voice coil overhang (Xmax: Voice coil height minus top plate thickness, divided by 2). Xmech is basically the lowest of four potential failure condition measurements: Spider crashing on top plate Voice coil bottoming on back plate Voice coil coming out of gap above core Physical limitation of cone Take the lowest of these measurements then multiply it by two. This gives a distance that describes the maximum mechanical movement of the cone.

Sd This is the actual surface area of the cone, normally given in square cm.

Zmax This parameter represents the speaker's impedance at resonance.


Usable frequency range

This is the frequency range for which Eminence feels the transducer will prove useful. Manufacturers use different techniques for determining `Usable Frequency Range'. Most methods are recognized as acceptable in the industry, but can arrive at different results. Technically, many loudspeakers are used to produce frequencies in ranges where they would theoretically be of little use. As frequencies increase, the off-axis coverege of a transducer decreases relative to its diameter. At a certain point, the coverage becomes `beamy' or narrow like the beam of a flashlight. Following is a chart that demonstrates at what frequency this phenomenon occurs relative to the size of the transducer. If you've ever stood in front of a guitar amplifier or speaker cabinet, then moved slightly to one side or the other and noticed a different sound, you have experienced this phenomenon and are now aware of why it occurs. Clearly, most two way enclosures ignore the theory and still perform quite well. The same is true for many guitar amplifiers, but it is useful to know at what point you can expect a compromise in coverage

Power handling This specification is very important to transducer selection. Obviously, you need to choose a loudspeaker that is capable of handling the input power you are going to provide. By the same token, you can destroy a loudspeaker by using too little power. The ideal situation is to choose a loudspeaker that has the capability of handling more power than you can provide lending some headroom and insurance against thermal failure. To use an automobile as an analogy; you would not buy a car that could only go 55mph if that were the speed you always intended to drive. Generally speaking, the number one contributor to a transducer's power rating is its ability to release thermal energy. This is affected by several design choices, but most notably voice coil size, magnet size, venting, and the adhesives used in voice coil construction. Larger coil and magnet sizes provide more area for heat to dissipate, while venting allows thermal energy to escape and cooler air to enter the motor structure. Equally important is the ability of the voice coil to handle thermal energy. Eminence is renowned for its use of proprietary adhesives and components that maximize the voice coil's ability to handle extreme temperatures. Mechanical factors must also be considered when determining power handling. A transducer might be able to handle 1,000W from a thermal perspective, but would fail long before that level was reached from a t mechanical issue such as the coil hitting the back plate, the coil coming out of the gap, the cone buckling from too much outward movement, or the spider bottoming on the top plate. The most common cause of such a failure would be asking the speaker to produce more low frequencies than it could mechanically produce at the rated power. Be sure to consider the suggested usable frequency range and the Xmech parameter in conjunction with the power rating to avoid such failures. The Eminence power rating is denved using an LA 426A noise source and test standard. All tests are conducted for eight hours in a free-air, non-temperature controlled environment. Eminence tests samples from each of three different production runs and each sample must pass a test exceeding the rated power by 50 to 100W. The Eminence peak power rating is double that of our standard RMS rating.

Sensitivity ( This data represents one of the most useful specifications published for any transducer. It is a representation of the efficiency and volume you can expect from a device relative to the input power. Loudspeaker manufacturers follow different rules when obtaining this information - there is not an exact standard accepted by the industry. As a result, it is often the case that loudspeaker buyers are unable to compare apples to apples when looking at the sensitivities of different manufacturers' products.




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